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ASU Wind Ensemble begins 2008-09 concert season
Sept. 19, 2008 --
The Arkansas State
University Wind Ensemble will give its first concert of the 2008-09
season on Tuesday, September 30, in Riceland Hall, Fowler Center, 201
Olympic Drive, Jonesboro. The concert will begin at 7:30 p.m., and
admission is free. The Wind Ensemble is a group of woodwind, brasswind,
and percussion musicians who are among the finest instrumentalists at
ASU. The Wind Ensemble is conducted by Dr. Timothy Oliver, director of
bands and coordinator of wind and percussion studies within the
department of music.
The wind ensemble is different from other, more traditional, groups such
as concert or marching bands, because in a wind ensemble usually one or
sometimes two musicians play each individual part written by the
composer. This defining characteristic makes the wind ensemble very
flexible and ideal for exploring a wide variety of instrumental
combinations and musical styles.
Dr. Oliver will lead the musicians of the ASU Wind Ensemble in “How
‘Suite’ It Is.” Each of the four works selected for this program are
suites consisting of multiple movements, representing a wide variety of
styles and countries, including the United States, England, and
France. Each of these works is also considered a standard in the wind
ensemble repertoire.
The concert will begin with “Suite of Old American Dances,” composed in
1949 by Robert Russell Bennett. Bennett, a native of Kansas City, was
credited with orchestrating more than 200 Broadway shows and
collaborated with many famous musicians of his era, including Irving
Berlin, George Gershwin, and Richard Rodgers. Bennett earned many
accolades, including an Academy Award and an Emmy. This suite is divided
into five dances and includes the cakewalk, waltz, and rag. Gordon
Jacob composed the second piece on the program, “An Original Suite.” Jacob wrote this work in 1928, and it was his first piece for the
traditional concert band. It is assumed that the word "original" in the
title was used to distinguish it from orchestral transcriptions or music
that utilized folk songs which constituted most of the band repertoire
of that period. One of the features of the piece is the lyrical and
beautifully written second movement featuring an extended alto saxophone
solo.
The second half of the concert will begin with a light-hearted work by
Robert Jager called “Third Suite.” This three-movement work is
challenging, as the musical meter of each movement changes nearly every
measure. The movements of this piece have the same titles as previous
works on the program, but they sound completely different. A visual
reference used to describe this piece is looking at an egg rolling end
over end. The final work on the program is “Suite Francaise,” written
by French composer Darius Milhaud at the conclusion of World War II. Milhaud employed folk tunes from the French provinces, in hopes of
sharing some of the rich culture with the Americans who so valiantly
defended his native land from the Nazis. The five parts of this suite
are named after the French provinces of Normandy, Brittany,
Ile-de-France, Alsace-Lorraine, and Provence. These are the areas in
which the American and Allied Forces fought together with the French
underground for the liberation of France. This work demands both
virtuoso technical ability and subtle musical nuance and provides an
exciting conclusion for this concert.
The ASU Wind Ensemble will continue its 2008-09 concert season on
Thursday, November 13, when they present a concert program, “Heavy
Metal,” featuring ASU tuba professor Dr. Ed Owen at Fowler Center, 7:30
p.m.
Wind Ensemble personnel (listed alphabetically within each section) are:
Piccolo, Hannah Sneed, Republic, Mo. Flutes: Angela Hamill, West
Memphis; Lauren Henderson, Piggott; Caitlin Proctor, Conway; Caitlin
Sammons, Bald Knob. Oboes: Sarah Bedingfield, Nashville, Tenn.; Kellie
Laughlin, Piggott; Pamela Masterson, Homestead, Fla. Bassoons: Bryan
Eckert, Jonesboro; Josh McFalls, Searcy; Amy Penny, Jonesboro.
Clarinets: Shayeeda Beard, Cherokee Village; Amy Dunman, Cash; Amelia
Middleton, Russellville; Heather Reed, Paragould; Christopher Williams,
Jonesboro; Kimberly Winchester, Jonesboro. Bass clarinet: Michelle
Davis, Jonesboro. Contrabass clarinet: Scott Dunkin, West Memphis. Alto
saxophones: Allen Adcock, Bono; Ben Hobson, Grapevine, Texas; Claire
Richardson, Jonesboro. Tenor saxophone: Daniel Medina, Marion. Trumpets:
Meagan Conley, Osceola; Kayla Hunter, Bono; Kelsey Lambert, Paragould;
Ben Light, West Ridge; Lana Spain, Wynne; Antonio Starks, Jonesboro; Jón
Stevenson, North Little Rock; Kyle Stewart, Clarksdale. Horns: Matthew
Allen, Magnolia; Timothy Hendrix, Jonesboro; Jeremy Lloyd, Gosnell;
Charnit Rerngron-asa, Thailand; Laura Thompson, Jonesboro. Trombones:
Brandon Avant, West Memphis; Kasey Chitmon, Paragould; Jonathon
McAlister, Marion; Treavor Mitchell, Jonesboro; Adam Peoples-Waddell,
Jonesboro. Euphoniums: Jacob Davis, Piggott; Jennifer Hall, Tyronza;
Zack Rikard, Hardy; Matthew Watson, Walnut Ridge. Tubas: Jay Shepherd,
Paragould; Lonnie Simmons, Jonesboro; Daniel Van Aalsburg, Hardy.
Percussion: Trent Duff, Pocahontas; Aaron Fisher, Southaven, Miss.; Seth
Gaskill, Paragould; Janet Rooney, Lake City; Cheyenne Sheppard,
Jonesboro; Jarrett Tedder, Paragould.
For more information, contact the music department at (870) 972-2094.
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