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Spring 2007 Senior Exhibition to be
launched at Bradbury Gallery
April
18, 2007 --
On Thursday, April 26,
at 5 p.m., Arkansas State University’s Bradbury Gallery will present the
Spring 2007 Senior Exhibition and opening reception. The exhibit, held
at the end of each fall and spring semester, features graduating
students from the ASU Department of Art. The six featured artists are
Amber Bradley, David Foust, Karla Keller, Kelli Langston, Morgan
Phillips, and Stephanie Sweeney.
Amber Bradley, a lifetime resident of Jonesboro, will receive a Bachelor
of Fine Arts degree with a studio emphasis in painting and drawing and a
minor in Horticulture. She has been a member of the Art Student union
and the ASU Print Club. Her work has been exhibited in the ASU Juried
Student exhibition as well as at Jazzman’s Hardwired Café.
Bradley says, “…when considering subject matter for my work, I most
often draw inspiration from both the large and small details I observe
in nature, where the color and structure found in a small flower can be
as significantly beautiful to me as the world’s most renowned sculpture.
My hope for my work is that people may view it with an awareness of the
awe and beauty of the life depicted there.”
David Foust will graduate this May with a Bachelor of Fine Arts degree
in Studio Art. After graduation, he plans to attend Mid-America Baptist
Theological Seminary in Memphis, Tenn. He says, “I think of my work as a
constant learning experience as I examine the limitless possibilities of
the relationships between colors, as well as lines, in a particular
space. The themes of my work and the subject matter, whether it is the
human form or a landscape, are secondary to these explorations. I am
currently working with a very limited color palette in my different
mediums. I feel that my appreciation for color has almost overwhelmed
me. My most drastic venture from my previous work is my black ink
paintings on white paper. The series “Intercessions” is a look at ways
people communicate, specifically to their god. I have tried to
experience the observations I have made by viewing people in prayer and
attempting to portray their posture and emotions.”
Karla Keller of Jonesboro will also receive a Bachelor of Fine Arts this
May. She has traveled around the world and studied many great works of
art. These experiences have kindled her need for personal expression
through her own art. Her work has recently been exhibited at Delta Art
Gallery in Jonesboro and in “Art de Refuses” in the Student Union at ASU.
Keller writes, “”Passage” celebrates authenticity, choices, and
persistence. All the pieces began in reference to my photograph of a
familiar scene in my life. l believe a work turns out well when it
retains my planned structural elements but takes on a life of its own as
the work progresses. The unconscious and intellectual choices made in
developing the piece and knowing it is finished make it unique to me and
a reflection of my experience. I hope the viewer will allow himself to
view my work in his own language without too much concern for the
intended significance. Every piece in this collection represents some
type of passage, figurative, literal, or both.”
Kelli Langston was born in Paragould. She grew up in Arbyd, Mo., and
attended ASU in 1987-90. She will earn her Bachelor of Fine Arts with an
emphasis in printmaking this spring. She has been included in numerous
exhibitions, including the Delta National Small Prints Exhibition held
annually in the Bradbury gallery. She has taught drawing and painting,
has been a professional photographer, an illustrator for children’s
books, and has received a public commission to paint a mural. Langston
has served as the President of the ASU Print Club and as a member of the
Southern Graphics Council. Langston expects to return to ASU this fall
to begin work as a student in the Department of Art’s Master’s Program.
In discussing her art, Langston said, “My work explores the complexities
of life by portraying images in layers. Working in unified opposition,
the layers combine to create varying aspects of meaning. These meanings
conflict, yet work together not unlike a human personality. The viewer
interprets the work differently each time based on his or her current
state of mind. Individual perceptions fluctuate based on circumstance
and interaction. This experience heightens the viewer’s perception of
the artwork.”
Morgan Phillips of Jonesboro will graduate this May with a Bachelor of
Science in Education degree in Art. Morgan is a four-time recipient of
an ASU Art scholarship and also received the 2007 Lillian Barton
Scholarship. She is a member of both the Kappa Delta Pi Educational
Honor Society and the Phi Kappa Phi Interdisciplinary Honor Society. She
is also a member of the National Art Education Association and currently
serves as the President of the ASU Art Education Club. Phillips has been
selected to exhibit her work in two juried student exhibitions at ASU,
has had her work featured in an ASU brochure, and has received two
public art commissions in the community.
Phillips states,
“While I do enjoy abstract art, I prefer to work more realistically. And
even though
my goal is not to highlight every detail, I do want people to recognize
the subject that I am creating. The most important step in starting a
drawing for me is to find a subject that I find interesting, whether it
be a landscape or a still life. I like to take my own photographs
because it allows me to
capture a unique,
interesting perspective that I find energetic and visually appealing.
Then I push, exaggerate, and
personalize the colors
and surfaces to reflect my own response
to the subject.”
Stephanie Sweeney, from Walnut Ridge, is graduating in May with a
Bachelor of Fine Arts with a studio emphasis in printmaking. She had
been on the President’s list five times and received the Academic
Distinction Scholarship and an Art Merit Scholarship. She is an active
member of the ASU Anime Club.
Sweeney says, “I explore decadence and the lure of that which is
forbidden. Enticed by a world of dark glamour, I indulge my fantasies
only in my art and hide the underlying decay beneath gay colors. Prints
are my favorite medium. I use relief printing and lithography to capture
the whimsical quality of line. Reduction relief generates a variety of
colors through layers; each layer slowly destroys the original carving,
making it impossible to reproduce. Lithography captures the spontaneity
of my lines, as in drawings. These methods are combined in my paper
collage through the use of textures and colorful inks. The process of
collage is wonderfully fragmented and cannot seem to be reproduced by
conventional means. It adds a dimension that drawing alone cannot.”
The exhibition opens on Thursday, April 26, and continues through
Saturday, May 5. Gallery hours are noon-5 p.m., Tuesday-Saturday, and
2-5 p.m. on Sunday. The exhibition is free and open to the public. For
additional information, please contact the Bradbury Gallery at (870)
972-2567.
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