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Faculty Recital set for Feb. 19,
first collaboration with art department
Feb. 6, 2006 -- The Department of Music at Arkansas
State University in Jonesboro will present the fourth concert in the
2005-06 Faculty Recital Series on Sunday, Feb. 19, at 3 p.m. in Bradbury
Gallery of Fowler Center, 201 Olympic Drive.
The faculty recital is the first collaboration between the music
department and the art department at ASU. Feb. 19 will be the last day
of the Faculty Biennial Exhibition in the Bradbury Gallery.
The program for the afternoon will include “Impromptu in B-flat,” Op.
Posth. 142, D. 935, No. 3 for solo piano, performed by Lauren Schack
Clark. The “Impromptu in B-flat,” was written as Schubert began the last
year of his life in late 1827. The variations are based on a theme from
incidental music that he composed for Helmina von Chézy’s play “Rosamunde.”
Schubert previously used the melody in the Andante movement of his A
minor String Quartet, written in 1824.
Dr. Clark will then be joined by Matthew Carey to perform Schubert’s
“Schwanengesang” (Swan Song), one of his 14 songs. The “Schwanengesang”
is not a song cycle in the strictest sense, but rather a collection of
songs written by the composer in the last year of his life, 1828, and
later sold as a set by his brother Ferdinand, in order to settle some of
Schubert’s debts.
The collection includes some of Schubert’s greatest masterpieces such as
“Liebesbotschaft” (Love’s Messenger), “Ständchen” (Serenade), “Die Stadt”
(The Town), and “Der Doppelgänger” (The Double). The songs are
remarkable not only for their beauty and profundity, but also for the
incredible variety in both style and texture.
Throughout this musical journey, Schubert reminisces on the babbling
brooks and strophic form of his early songs and looks ahead to his
impending pre-mature death at age 35. Although there is no clear musical
or textual theme, Schubert remains faithful to his eternal optimism,
even as he grew more gravely ill. The last song, “Die Taubenpost” (The
Carrier Pigeon), is a metaphor for hope and anticipation of great
accomplishments yet to come.
Clark is assistant professor of piano and keyboard activities at ASU.
She performs frequently as a soloist and collaborative artist. She was
selected to perform at the 2005 TCU-Cliburn Institute Teachers Session
in Fort Worth. She has played with principle players of the Boston
Symphony, St. Paul Chamber Orchestra, Scottish National Symphony,
Slovenian Radio Symphony, Cincinnati Orchestra, Arkansas Symphony, and
Memphis Symphony, and with faculty members of the Eastman School of
Music, New England Conservatory, Cincinnati College Conservatory,
Oberlin College, the University of Memphis, as well as ASU. She
concertized in Paris in 1997 in conjunction with the Institute for
Advanced Vocal Study, and again at the 2001 French Piano Institute. With
her husband, bassoonist Dr. Dale Clark, she has played at the Cork
School of Music, Ireland, Florida State University, the University of
Washington-Seattle, the University of Texas-Austin, the University of
Nebraska, the University of Tennessee-Knoxville, and Boston
Conservatory.
Her students have won first prizes in such competitions as the Tennessee
Music Teachers Association auditions and the Beethoven Club competition.
She is president of the Delta Music Teachers Association, chair of the
Arkansas State Music Teachers Association Chamber Music and Young Artist
Competitions, and has served as secretary of The Massachusetts Music
Teachers Association and the Greater Memphis Music Teachers Association.
She holds a doctorate from Boston University, a master’s degree from
Northwestern University, a graduate diploma from the Longy School of
Music in Cambridge, Mass., and a bachelor‘s degree from the Hartt School
of Music.
A veteran of the concert and opera stage, Carey has been a member of the
voice faculty at ASU since 1997. He teaches applied voice, German and
French diction, vocal pedagogy, music appreciation and song literature.
He is the music director and conductor for the ASU Theatre Department's
annual musical and co-hosts "Spotlight on the Arts" on KASU.
Spanning a career performing more than 40 roles, Carey has sung with
opera companies throughout the United States, including the San Diego
Opera in “Albert Herring;” Greensboro Opera in “Carmen;” Mississippi
Opera in “Pelléas et Mélisande;” Santa Barbara Grand Opera as Guglielmo
in “Cosi fan tutte” and the Shubert Opera in “Faust.” Other leading
roles include “Manon,” “La Bohème,” “Falstaff,” “I Pagliacci” and “Don
Giovanni.”
From 1992-1996 he was principle baritone with the prestigious opera
ensemble at the Theater Lübeck, Germany. More recently, Carey was seen
as Victor Velasco in Neil Simon's “Barefoot in the Park” and played the
title role in “The Will Rogers Follies” in Jonesboro.
As a concert artist, he has performed with the symphony orchestras of
Hamburg, Kotka (Finland), Santa Barbara, the NDR Orchester of Bremen,
the Delta Symphony Orchestra and the Arkansas Symphony Orchestra.
Currently, he sings with the professional group, Memphis Vocal Arts
Ensemble. Carey continues to perform recitals throughout the region with
a repertoire from the song cycles of Schubert and Schumann to popular
standards of Gershwin, Kern, Berlin and Rogers. He has been selected for
several national singing competitions, most recently the American
Traditions Competition in Savannah, Ga. Carey has conducted vocal master
classes at the University of Southern California, Opera in the Ozarks,
University of Arkansas, John Brown University, Ouachita Baptist
University and California State University at Northridge.
He is also a frequent clinician at the ASU Choir Camp as well as area
high schools. He conducts a bi-weekly studio class open to all voice
students. He is a regular adjudicator at state and regional competitions
with his students frequently reaching the finals. Carey completed his
bachelor’s degree from Oberlin Conservatory of Music and received his
master’s degree from the University of Michigan. He has done
post-graduate study at the University of California at Santa Barbara and
Yale University.
This concert is free and open to the public. For more details, please
call the Department of Music at 870-972-2094.
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