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Department of Music to present first concert of
Faculty Recital Series Sept. 24
Sept. 17, 2009 --
The
Department of Music at Arkansas State University in Jonesboro will
present
the first concert of the
2009-2010 Faculty Recital Series on Thursday, September 24, at 7:30 p.m.
in Riceland Hall, Fowler Center. The concert will feature ASU music
faculty members Robin Dauer, Lauren Schack Clark, Dale Clark, Marika
Kyriakos, and Matthew Carey, with assistance from Sean Pollock. The
concert is free of charge and open to the public. The audience is also
encouraged to view the ASU Art Faculty Show in the Bradbury Gallery
during intermission.
The concert will include performances of “Castel
del Monte (Ballata per corno e orchestra)” by Nino Rota,
performed by Robin Dauer and Lauren Schack Clark; “Mixed Metaphors for
Bassoon and Piano” by Richard Applin, performed by Dale Clark and
Lauren Schack Clark; “Prelude and Fugue in E-flat from the Well-Tempered
Clavier, Book II” by Johann Sebastian Bach, “Sonata No. 3 in A
Minor” by Sergei Prokofiev, and “Six Songs Without Words, Book III, Op.
38” by Felix Mendelssohn performed by Lauren Schack Clark; and “Salzburg
(from Bells are Ringing)” by Jule Styne and “Wunderbar (from Kiss Me,
Kate)” by Cole Porter, performed by Marika Kyriakos, Matthew Carey, and
Sean Pollock.
Dr. Lauren Schack Clark
is
ssociate professor of Piano and Keyboard Activities coordinator at
Arkansas State University. Recent performances have included solo
recitals in Naples, Italy, at Berklee College of Music, and at Dickinson
College in Pennsylvania. In 2008, she performed a recital at the
University of Florida as part of the ASU Double Reed and Piano Trio, and
she played programs with violinist Stephen Sims at the Cleveland
Institute of Music and Denison University. Her solo CD was released by
Centaur Records in February 2008, and contains piano music written by
Boston composer Dr. Rosey Lee, on the faculty of Berklee College of
Music. She holds a Doctor of Musical Arts degree from Boston University,
a Master's degree in Piano Performance and Pedagogy from Northwestern
University, a graduate diploma from the Longy School of Music in
Cambridge, Mass., and a Bachelor of Music degree from the Hartt School
of Music. Her principle teachers were Raymond Hanson, Eda Mazo-Shlyam,
Deborah Sobol, and Thomas Stumpf.
Dr. Marika
Kyriakos is
in her second year teaching voice and directing opera at the Arkansas
State University Music Department. Though originally from Columbia, Mo.,
Dr. Kyriakos came to ASU from Texas, where she taught at Tarleton State
University of the Texas A and M System for nine years. Her favorite
projects involve studying, teaching, and performing abroad. Recent
summer ventures have included leading roles with the Rome Opera Festival
in Italy as well as studies and performances in Nice and Paris, France.
Dr. Kyriakos collaborated in the development of a summer program with the
Lorenzo de Medici school, for which she taught and performed this past
June in Tuscania, Italy. Last summer she visited Greece to lay the
groundwork for a study-abroad program in Athens.
Dr. Dale Clark,
adjunct bassoon
instructor at Arkansas State University, is
principal bassoon of the Delta Symphony Orchestra,
a member of the North Arkansas Symphony, and he has appeared as guest
principal bassoon with the Memphis Symphony and Arkansas Symphony
Orchestras. He has appeared as guest artist and master class teacher at
the Cork School of Music in Cork, Ireland, and Berklee College of Music
in Boston, Mass., among many others. In 2003 he was principal bassoon of
the Sewanee Festival Orchestra and bassoon instructor at the Sewanee
Summer Music Festival. He is a former member of the Memphis Woodwind
Quintet.
Dr. Robin Dauer
is professor of Horn at Arkansas State University. He received the
Bachelor of Arts from Miami University and the Master of Music and
Doctor of Musical Arts from the Cincinnati College Conservatory of
Music. He is currently a member of the ASU Brass Quintet and the
Arkansas Symphony Orchestra. Dr. Dauer’s recordings include “Horn
Americana,” works for horn and piano by American composers; “Souvenir,”
French pieces for horn and piano, both available from Mark Recordings;
and the recently released “Alan Hovhaness: Music for Horn, Voice, and
Strings” on Centaur Records. At Arkansas State, he conducts the horn
ensemble, student chamber ensembles, and teaches music appreciation.
Prof.
Matthew Carey has been a member of the voice faculty at ASU since
1997. He has been the music director and conductor for the ASU Theater
Department's Musical and has co-hosted the College of Fine Arts radio
program "Spotlight on the Arts" on public radio NPR affiliate KASU
91.9 FM. Careu has sung with opera companies throughout the United States
as well as Germany, and his leading roles include Guglielmo, Valentin,
Figaro in “Barbiere
di Seviglia,” Alfonso in “La
Favorita” and the Heerufer in “Lohengrin”
Lescaut in “Manon,”
Marcello in “La
Bohème,” Ford in “Falstaff,”
Silvio in “I
Pagliacci” and Don Giovanni. He has performed with the
symphony orchestras of Hamburg, Kotka (Finland), Santa Barbara, the NDR
Orchester of Bremen, the Delta Symphony Orchestra and the Arkansas
Symphony Orchestra. He has conducted Vocal Master Classes throughout the
state of Arkansas and along with his colleague, Dr. Marika Kyriakos, he
conducts a weekly Studio Class open to all voice students. He is a
regular adjudicator at State and Regional NATS competitions and his
students frequently reach the finals.
Sean
Pollock
serves as director of music and worship at First United Methodist
Church, Jonesboro, where he coordinates a large and diverse music
program. An accomplished coach/accompanist, he has collaborated with
such performers as internationally acclaimed tenor Stuart Neill, and
operatic soprano Kristine Biller Mattson. He holds a Bachelor of Liberal
Arts from the University of Memphis and has studied piano with such
teachers as J.D. Kelly, Carrie Lewis, and Joan Gilbert. He is currently
pursuing a graduate degree in Choral Conducting at Arkansas State
University with Dr. Dale Miller.
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